《记承天寺(si)夜游》重(zhong)点句子赏析

1.月色入户(hu)，欣然起行。

解析：采纳了拟人的修辞伎俩，妙在“入”字，将月光写活了，并且突出了苏轼的豁达的胸怀。

2.庭下如积水(shui)空明，水(shui)中藻、荇交横，盖竹柏影也。

解析：写景抒情。“空明”写月光澄清明亮，很形象。将月下竹影、树影比喻为水中(zhong)藻荇交错，很妙。观赏如此细(xi)致清楚，可见二人“清闲”尽现。

3.何处无月？何处无竹柏(bo)？但少(shao)闲(xian)人如吾两(liang)人者尔。

解(jie)析： 叙事(shi)简净，写景(jing)如绘，而抒情(qing)(qing)即寓于(yu)叙事(shi)、写景(jing)之(zhi)中(zhong)。叙事(shi)、写景(jing)抒情(qing)(qing)，又都集中(zhong)于(yu)写人(ren)；写人(ren)，又突出(chu)一点：“闲(xian)(xian)(xian)(xian)(xian)”。入“夜(ye)”即“解(jie)衣欲(yu)睡”，“闲(xian)(xian)(xian)(xian)(xian)”；见“月色入户”，便“欣然起行”，“闲(xian)(xian)(xian)(xian)(xian)”；与张怀民“步于(yu)中(zhong)庭”，连(lian)“竹柏(bo)影”都看(kan)(kan)得哪么(me)仔(zi)细，那(nei)么(me)清楚，两(liang)(liang)个(ge)人(ren)都非(fei)常“闲(xian)(xian)(xian)(xian)(xian)”。“何(he)夜(ye)无(wu)(wu)月？何(he)处无(wu)(wu)竹柏(bo)？”但冬夜(ye)出(chu)游(you)(you)赏(shang)(shang)月看(kan)(kan)竹柏(bo)地(di)，却只有(you)“吾(wu)两(liang)(liang)人(ren)”，因(yin)为别人(ren)是忙人(ren)，“吾(wu)两(liang)(liang)人(ren)”是“闲(xian)(xian)(xian)(xian)(xian)人(ren)”。结尾的(de)(de)“闲(xian)(xian)(xian)(xian)(xian)人(ren)”是点睛之(zhi)笔，以(yi)别人(ren)的(de)(de)不“闲(xian)(xian)(xian)(xian)(xian)”反衬(chen)“吾(wu)两(liang)(liang)人(ren)”的(de)(de)“闲(xian)(xian)(xian)(xian)(xian)”。惟其“闲(xian)(xian)(xian)(xian)(xian)”，才能“夜(ye)游(you)(you)”，才能欣赏(shang)(shang)月夜(ye)的(de)(de)美景(jing)。读完全文，两(liang)(liang)个(ge)“闲(xian)(xian)(xian)(xian)(xian)人(ren)”的(de)(de)身影、心情(qing)(qing)及其所观赏(shang)(shang)的(de)(de)究诎瞳，都历历如见。实际上对生活(huo)有(you)热(re)爱、追(zhui)求之(zhi)意，可谓“点睛”之(zhi)笔。